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Caroline Ha Thuc is a French Hong Kong based art writer and curator. Specialized in Asian contemporary art, Ha Thuc contributes regularly to different magazines such as ArtPress in France and Artomity in Hong Kong. She holds a Ph.D. from the School of Creative Media, City University HK.

Prior to moving to Hong Kong, Ha Thuc spent two years in Tokyo and published ๐˜•๐˜ฐ๐˜ถ๐˜ท๐˜ฆ๐˜ญ ๐˜ˆ๐˜ณ๐˜ต ๐˜Š๐˜ฐ๐˜ฏ๐˜ต๐˜ฆ๐˜ฎ๐˜ฑ๐˜ฐ๐˜ณ๐˜ข๐˜ช๐˜ฏ ๐˜‘๐˜ข๐˜ฑ๐˜ฐ๐˜ฏ๐˜ข๐˜ช๐˜ด (Nouvelles Editions Scala, 2012) about the post-Murakami Japanese art scene. Her book ๐˜Š๐˜ฐ๐˜ฏ๐˜ต๐˜ฆ๐˜ฎ๐˜ฑ๐˜ฐ๐˜ณ๐˜ข๐˜ณ๐˜บ ๐˜ˆ๐˜ณ๐˜ต ๐˜ช๐˜ฏ ๐˜๐˜ฐ๐˜ฏ๐˜จ ๐˜’๐˜ฐ๐˜ฏ๐˜จ (Asia One, 2013), which was first published in France (Nouvelles Editions Scala, 2013), provides essential keys to apprehend the cityโ€™s vibrant contemporary landscape and exposes the countless links between art, history, culture and identity. She then published ๐˜ˆ๐˜ง๐˜ต๐˜ฆ๐˜ณ 2000: ๐˜Š๐˜ฐ๐˜ฏ๐˜ต๐˜ฆ๐˜ฎ๐˜ฑ๐˜ฐ๐˜ณ๐˜ข๐˜ณ๐˜บ ๐˜ˆ๐˜ณ๐˜ต ๐˜ช๐˜ฏ ๐˜Š๐˜ฉ๐˜ช๐˜ฏ๐˜ข (in French and English, 2015), a book about Chinese contemporary art analysing the interactions between the art scene and Chinaโ€™s rapidly changing society. She is now working on a book focusing on research-based art practices and the emergence of alternative modes of knowledge production in Southeast Asia.

As a curator, she focuses on promoting dialogue between artists from different cultures, while reflecting on social and political contemporary issues. Her main exhibitions include โ€˜โ€˜31 Women artists HKโ€˜โ€˜ (10 Chancery Lane, Hong Kong, 2022), โ€˜โ€˜Boundless Sea: the artist becoming researcherโ€˜โ€˜ (Art Museum of Guangzhou Academy of Fine Arts, 2021โ€“2022), โ€˜โ€˜Constructing Mythologiesโ€˜โ€˜ (Edouard Malingue Gallery, Hong Kong, 2018), โ€˜โ€˜Documenting Myanmarโ€˜โ€˜ (Charbon Art Space, Hong Kong, 2018), โ€˜โ€˜Carnivalโ€˜โ€˜ (Amnesty International Hong Kong, 2017), โ€˜โ€˜Human Vibrationsโ€˜โ€˜ (5thLarge-scale Urban Media Arts Festival, 2016), โ€˜โ€˜The Human Body: Measure and Normsโ€˜โ€˜ (Blindspot Gallery, Hong Kong, 2015), โ€˜โ€˜Shelters of Resistanceโ€˜โ€˜ an in-situ installation by Kacey Wong in the courtyard of the City Hall (YIA Art Fair Paris, 2015), โ€˜โ€˜Hong Kong Bestiaryโ€˜โ€˜ (Platform China, Hong Kong, 2014), and โ€˜โ€˜Radianceโ€˜โ€˜ (French May, Hong Kong, 2014).

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