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Lin Weilung 凌瑋隆

繞行-天府新區 錄像裝置, 2015

冉茂秋以紀錄影像的手段記錄了此段行為過程,以及廣灘村民到市區間各個人物對生活環境變遷的陳述。拍攝分了三天,第一天:凌瑋隆在新津的廣灘村「借」了河岸邊雙手及身體可挾帶份量的一捧泥土,以簡單的行走方式帶着泥土繞行天府新區。並從村民自發的信仰中心「龍王廟」為起點,於陰曆九月十九廟會日早晨出發,用身體力行的形式回應農村到城市的現代化過渡。凌瑋隆將帶回到千高原藝術空間的泥土用雙手捧着置於盛有水的玻璃缸中,直到泥土將水完全變渾濁;第二天,帶着完全沉澱後,濾掉水重新包好的泥土繞行到A4當代藝術機構;第三天,以同樣繞行的方式將其返回新津農村。

Lin's early work is a series of videos that base on his own body and that is the base of his art concept. Over the last few years, he stopped using videography as his execution method and started his performance...
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