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Lu Yang 陸揚

Delusional Mandala, 2015

Music Edit by Cavia666 (www.djcavia.com)

The artist created a digital nonsexual human simulator in her own shape for the first time to complete an artwork. Because of the powerful curse in the content of the work, the artist has to apply the spell to herself to avoid harming others.

This artwork is all about neurosciences, in which the artist is always interested. She makes use of the principle of the stereotactic system, the deep brain stimulation and RTMS working on the deep limbic system, in order to extend delusions, substitute into religious perspective and fugacious meditation on the material world and produce objective delusions.

This work is the artist’s reflection on her creation in the past, at present and in the future. Is consciousness adhere to the brain? Where on earth is consciousness? The artist simulates the delusions of damaging herself and her works over and over again in her work. It can be sure that these delusions will eventually come true.

This artwork is the second piece of the artist’s new series of works. The first one is Moving God. The new series of works are still involved with categories such as religion and neuroscience, etc. They are different from the works in the past, using this method to meditate and practice, and constructing delicately through different ways this delusional mandala.

1984年出生於中國上海,2010年畢業於中國美術學院新媒體系碩士學位,目前生活並工作於北京和上海。陸揚在新媒體藝術領域中備受矚目,她善於利用多種媒介, 包括影像、裝置、動畫、攝影和遊戲等,探索有關生命、宗教及相關形式方面問題的本質。在陸揚的藝術實踐中,生物學、神經學、醫學、宗教等不同領域的元素彼此交融重組,形成了她獨特的視角。此次個展延續了藝術家一直以來創作的概念及元素,遊走於宗教與腦科學的範疇,清晰的構造著她一直以來作品中的重要線索。

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